31.10.08

is the light dying? shall we rage now?

watching scary movies, the girls shrilled and the guys cracked wise; everyone drank white russians and microbrews. one girl asked for a martini, in a coy whisper—she got it, courtesy of the host's chivalry. the puppy gnawed on people's fingers; it also ate the back of one girl's earring—the same girl who needed a martini in a kitchen stocked with kahlua and leffe.

it is so warm in here. i want to live here, where it is warm, busy and friendly, and even annoying people are welcome because we just take them easy.

L looks like a tree in the desert, lean and strong and unadorned. her smile is bright and she seems positive. her room is still a gypsy whirl, like it was the last two years. oh, those last two years! the cold days, the rain and frozen sidewalks, the shuddering shuffle from my dormitory to her brightly-painted house, seem like a distant dream. the tiny town wears its auburn and blue right now, but being at L's house makes me remember what i tried sometimes to escape by fleeing the campus to her sanctuary. it was the bedraggled aspect the trees will wear in dreary november and february, when there is nothing going on, no money to be made, and loneliness breathing frostily against the windows of my narrow room.

what would it be like to live it again this year, to try to make the town's acquaintance from where i now stand?

listening to her talk about professors and class discussions doesn't make me feel old, as i might have expected. instead, i feel like i'm no age—i feel feeble and green—i just want a new thing. i see that maybe she's running the same path as i did, and she fears falling into a rut after graduation, and maybe that fear will provoke her to commit to something she doesn't want or need. but i don't feel like i'm looking down from the upper floors; i'm listening to her with the hope that she will puzzle out an answer for both of us.

and what would our friendship be like if i were only meeting her just now?

undergraduate life is like a solar eclipse. we could be long-term students, but these strange four years where expectation lifts its hands off us, and our potential is intently regarded, are unlikely to grace us again. this kind of time will never be ours again unless we fight for it. (of course, we could argue that the amount of money we paid for this time makes a fight unnecessary. this time is not purely a gift.)

what is a gift is these years' full occupation of us, if we give ourselves to them. i see it in L, and i wish on the harvest moon to have it again. the greatest life is when what they called suspended reality is your reality, when something we do proves so startlingly original that expectations fall back in disconcerted amazement, making them always afterward think twice before they try to impress us into their service again.

we have the work ethic. i hope we are so lucky as to use it, L. we deserve it, because we are responsible folks.

okay with

it's cold in here. it's warm outside &mdash that is an answer to prayer. a surprising yes, in that rain and snow was predicted all weekend. it also surprised me how quickly i got in and out of the post office, mailing superfluous clothing back to cali at the last minute. it surprised me how smoothly i'm running today.

yet another surprising yes is that towing my suitcase from prospect park to canal street was hassle-free. i rode the Q train, happily uncrowded at this time of day. it suddenly occurred to me to reflect, this is my last ride on this damn train. i am leaving new york and i won't be riding subways anymore. i was surprised that i didn't feel anything. i pushed at the walls of this thought, and they proved quite elastic. so i decided to be okay with &mdash at peace.

i looked out the cloudy windows at each stop on the way &mdash 7th avenue, atlantic avenue-pacific street, dekalb avenue &mdash and wondered if the people there are ever bothered much by living their lives in a file, a lineup, underground and on the side. it bothered me to be so orderly. i thought about the prospect of wide streets, even freeways, with cars shooting by; i thought about looking up and seeing sky in equal square footage with concrete and steel. i thought about bends in the road, curves of chaparral foothills, tunnels of tidewater. yee haw, i thought.

i'll miss the freaks that are so thickly sown here. i'll miss the roadside stands with cashmere scarves for five dollars, which can't buy you a meal on the same street. i'll miss the trees that turn the air and the ground the color of ripe apples with their leaves in the fall. i'll miss the bridges.

but when i say that i'll miss these things, i don't imagine i will pine for them. they've hung on my refrigerator and walls, but they haven't kept me warm.

everyone moves so quickly past the window in front of me. it's warm outside &mdash some of them wear only t-shirts, but others wear overcoats in deference to the autumn. one girl walked by wearing purple metallic curls in her hair, and another was wearing insect antennae. it's october 31st. they are all so different. how do i know where i am, except for the architecture? i haven't lived here long enough to feel that punch in the stomach familiarity. but again, why force it? for me, real emotion, like real friends, comes at once and without any doubt as to its identity. looking at that sentence, i affirm that it's true, and i am confident that i'll find that place, just as i've found friends &mdash suddenly, undeniably, comfortably, ambitiously. a place i can go forward with.

i saw two young people on the Q train, reading the onion together and kissing. i'm confident that that will come, too, and in the same way.

isn't it funny i should feel no regret right now? i'm leaving new york city. i'm going back to my home country, land of valley girls and ubiquitous highlights, of giant corporate commercial operations, of soulless suburbs and faceless business districts. it's familiar, and not only because my family is there. something about the place where i'm from &mdash i want to know a little more about it. my experience of it now must, of necessity, be so different now that i'm letting it be itself, and trying my best to be myself. how shall we coexist? what shall we tell each other?

oh, sunlight! oh, ocean! open spaces, warm breezes, fog in the morning and the night, foothills covered in chaparral, coyotes still howling at night somewhere behind our house, wide sidewalks where you dodge the skaters, faded t-shirts and worn-out flip-flops, wide six-lane freeways where you can see everything you're passing, and looking ahead to the edge of the world, and crying seagulls.

and if it's not any of that? i'm at peace with that, too, for the moment anyway. all of that?--it's inside me, it's what i brought away from california; maybe i didn't even know it was in my baggage. but i'm bringing it back with me.

i wonder what i'm bringing away from new york city? a little hardness, boldness and aggression, a certain quantity of cynical laissez-faire, confidence that shit works out--it's not always good but it's a lot longer and slower way down to absolute zero than i ever thought. the reaffirmation that selling yourself is not really a good idea, at least not for me. the work speaks for itself, and your own prosperity needs not to be touted. also, haircuts are essential. also, originality is everything, so it's better to be a freak than a clone. also, it is better to be thought rude than to be a tool; regret and self-loathing is the result of constant use.

my bus just hit the mainland. gas stations, corporate outlets, derelict old buildings, offensive new buildings. already the sky is clearer. it's like, "hey, here i am!" so much road lies ahead. and indeed, there will be time. i love that thought &mdash i spent nearly a year in new york and i'm only twenty-six. i've been all over the world, i am so much smarter and braver than i used to be, and there is more time ahead of me that i have no idea what i'll do with. i realize now that, as a kid, i seldom thought beyond college. maybe that's why senior year was my peak. but it's only a quarter of the life span i mean to have. so much time remains to go more places, to become smarter and braver through new lessons and new fears.

i thought no farther than college because i always thought that was when everything was set in place and the rest was a sort of timeless, peaceful elysium of keeping house. i was depressed for a while that i wasn't married right out of school, but now &mdash now! i am more than okay with being single, even alone. i can go about at will. one day, if i stay, it will be at will, not because it is time.i don't know what to expect after this; as a result, time and the road open up like Cinemascope.

there will doubtless be images, static and motive, that inspire me to come back. this isn't the same as missing. it is the result, the payoff, the mystery plant that will emerge in time from the seeds strewn in my heart and psyche during the last year. it is knowledge i don't know i have yet. it is a notch on my belt that i won't see until someone points it out to me. it is the tool that i won't know is in my box, until suddenly i need it and there it will be, waiting.

it seems to me at the moment that you can't lose, if you decide not to.

28.10.08

according to p.g. wodehouse

"Pretty soft!" he cried. "To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St. Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. There's a blight on it....It would kill me to have to live in New York," he went on. "To have to share the air with six million people! To have to wear stiff collars and decent clothes all the time. To&mdash" He started. "Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!"

querida nuyorica

dear new york,

it is a relief to admit that we need a break, you and me. i used to be really into you, and i still think you're wonderful in so many ways. but you're not right for me, and i don't fit in well with your friends. it's cool--it's just who we both are, for now.

i think i assumed you would be the same now as you were at a younger age. e.b. white's essay about you is really something--i hope you go back and read that, now and then, as well as damon runyan's short stories. and some night, when you don't feel like going out, watch on the town again.

i would have liked to know you then. you know what the truth is? i came here because i wanted to reflect you at that age: exuberant, energetic, idealistic, above all democratic--holding hands with the rich on one side and the poor on the other. amenable to a spontaneous burst of song and dance on a train or a crowded street.

if you were ever that way, you've changed. sorry, but you seem kind of over it, in every respect--you seek amusement, or diversion, not fun. you are always tired and your entertainment is anything but leisure; when you go out, it's either explicitly work-related, or else it's "a good opportunity to meet people." your ideals and mine have nothing in common anymore, that i can see.

as far as democracy's concerned, somebody needs to let you know--you are not democratic, sweetheart. you're as elitist as i've ever encountered.

everything here, in order to grow, has to stand still and grow upward, fast, if it wants to see anything.

i'm going west for a little while; i can't wait to see all the way to the horizon. i can't wait to have a great big continent under my feet. i can't wait to feel the sky over me like a bowl, like a blanket.

you were a good experience, but you were never a very good friend.

24.10.08

sweet bird of youth

Tenterhook. (noun) A metal hook used for stretching cloth on a tenter.

I always assumed that to be on tenterhooks was something like lying on a bed of nails. Suspense equaling inability to rest.

But actually it’s meant to mean an experience of stretching. And as an erstwhile practitioner of yoga, I state with authority that it is not only possible, but salutatory, to rest while you stretch.

Stretching means increasing your capacity to comfortably reach between extremes.

Why do we spend so much time learning the practice of reason, when everything valuable in life ends up being a paradox, fundamentally making no sense in cost-benefit analysis?

I think it’s so that we can justify going with our inclinations, with what feels good.

We do cardio-vascular exercise to increase our muscle strength, our ability to support and resist, but what do they always say? Stretch before and after. I never knew why this was necessary until I started thinking of it in analogy. Strength is just ability to rest under a given load. (We don’t think of strength as being able to hold up our own heads, but a month-old baby does.) And stretching allows us to rest under that given load in a variety of positions. Downward-facing-dog pose makes holding up your head more of a chore than you’re used to.

Now try living fully in the present moment while giving thought and effort to the care of your future. And while you’re considering that, stop complaining about the lost flexibility of your youth. The youth don’t necessarily want it, but we need it, so we have it.

first published 7/29/07, 5.11am

soha

Even I can see that he fits ill among his class. Whether that has to do with his heritage, or his haircut, I truly can't say. He and the other white kids watch the rest of their classmates warily, even when they play or do group activities; but Bernhard watches everyone. His eyes are steel blue and his hair is a thatch like hay that my grandfather would have called well-cured. He is a beautiful boy.

I don't pick him up from school anymore; since he came into third grade I have made him walk home, as the other kids do. I confess that I give him mixed signals.

"Are you home so early?" I say, with an expression of annoyance. "Why don't you play on the block with your friends?"

I know the answer so well, he doesn't tell it to me anymore.

"You won't make any friends if you always come straight home," I admonish him, busying myself with my work so I won't have to look him in the eye, betraying that I am overjoyed that he is home, that he comes back to me in preference to the skateboarders and loiterers on the block.

Occasionally a child from his school will come for him--"Can Bernhard play?" He looks at me, then with the same look as when we are at the doctor, bored and resigned and willing only because it will please me as something good for him. I nod eagerly with a bright smile. They go out as I continue to work; then I hop to the corner window and hover in it, watching him down on the street, terrified and cross and desperate for him to come back and determined that he shall not until five or half past.

But if no one comes for him we walk to the grocery store on Frederick Douglass and 111th, round about 5 in the evening. I let him choose the produce and the dessert. I sometimes think about eating meat again, wondering if he is deficient in iron, but I hate to contaminate him that way and I buy beets instead. He doesn't mind beets so much if I compromise and cook them in a lot of butter.



I remember Germany--I'm going to move there when I'm old enough. I liked Opa's farm but I liked the city, too. I hope I'll inherit the farm--then I'll rent it out and go there for a little while in the summer, and live in Munich the rest of the time. I like the coffee there and the mountains. I mean the mountains in the rest of Germany--there aren't mountains in Munich.

Munich is where my aunt and uncle live with my cousins Gretl and Heinrich and Nathan. Nathan is older but he was at their house once when we visited. They think New York is great but they've never been here. I told them the food is better in Germany and the weather and everything. They said, but you have Disneyland and the Zoo! Disneyland is in California, I said. It's easier for you to get to EuroDisney than me to Disneyland. If they really did come to live here, I don't know what I'd do. I'd trade places. That's what I'd do.



Not being used to meat, he got terribly sick on a bratwurst when we visited my sister in Munich. But he kept wanting another. I compromised by letting him try some coffee and some beer. He didn't like the beer but the coffee was a hit. Fortunately, he hasn't asked me for it since we returned home from our visit.

In the winter, we go to my best friend Maisie's house in Westchester, for Christmas. Maisie and I met during a study abroad trip to London, when we were both in university. She married a British doctor, Cosmo, and they have a lovely home. They have children, not Bernhard's age but it's a lovely family atmosphere all the same. I like Cosmo. He is very good with Bernhard, a very warm man. They always say that they mean to come visit us in Harlem over a weekend. I keep telling Bernhard that, so he will realize how lucky we are and that people want to come here from everywhere.



Germany has woods, real woods, better than Central Park because there aren't any statues or sidewalks or buildings unless it's someones house. The woods there would be scary at night, but not because there are junkies or perverts; because there are animals, and if there were such things as trolls and witches, that's where people believe they are. And plus you would feel more lost there than any other place in the world. I wouldn't go to Central Park at night but it's not because I would get lost, I could find my way out easy even in the dark, and there definitely wouldn't be any trolls or witches living there.



Maisie often asks me whether I'm seeing anyone, and why I don't, and wouldn't it be good for Bernhard if I met someone, isn't that reason enough to try? I say to her, does it look like Bernhard needs a man to get by? He doesn't look like it--but maybe he does need it. Maybe he would start to smile. He only smiles when he wins a game. We play chess together sometimes, for example. He likes to watch the men on the sidewalk with the boards balanced on their knees. He wants to learn dominoes, as well, but I don't know how to play it.



The men in the coffeehouses in Germany play chess, sort of like the men on the sidewalk here, but they only play checkers. Chess is a lot harder, you have to be a lot smarter to play it. I'm pretty good at checkers, and at chess, also. Maybe when I get older I can play with them. But I'm going to live in Germany, not here, so I guess I won't play with them probably ever. I could beat them even now, I bet, if I could play with them now, because I'm pretty good. I always beat Mother. I never let her win. I never give up a game, ever.



It's nearing Christmas time and Cosmo stops by for a drink one evening. His business brings him more and more into the city. Bernhard and he play chess. I make a couple of G and Ts after they play. Bernhard has won, frowning ferociously as he takes his leave.

"Why don't you find him a nice father?" Cosmo teases.

"No one can possibly give Bernhard as much as I do," I say, also feeling a bit ferocious for a moment. Cosmo clinks my glass, to settle me down.



I hate the smell of fried chicken. In the mornings when we walk to school I can smell it coming out of the Wonder Chicken & Pizza, which is across the street from us, on Malcolm X Boulevard--or Lenox Avenue, like Mother calls it--whatever, the sign says both. I hate that smell. When it's cold out, Mother takes a deep breath and says, "Mm, I'd never want to eat it but doesn't it smell good?" The people sitting outside with greasy boxes, gobbling out of their fingers, stare at her when she takes those deep breaths through her nose, with her eyes closed. I hate it. I walk faster, so she has to catch up with me. I hate that smell. Schnitzel is way better and you get it with yellow pasta, not a big white cotton-ball biscuit. I sat on a biscuit once by accident, at lunch. It got a grease stain on my butt, big and round. I'd rather have sat on a bench with wet paint. I'd rather get swirlied than have to eat any of the crap they sell at Wonder Chicken in those white square boxes. If anyone tried to make me eat it I'd throw up, all over him.



There is nowhere like Harlem. You feel it as soon as you come down 110th from Amsterdam and turn the corner onto Frederick Douglass. A wave of heat will hit you, or the smell of fried chicken and biscuits, or a man who looks just like one of the great jazz giants. It's something you just know, even without those things. The world at that corner has changed, grown smaller, but it glistens with storied magic. And to walk northward on these long boulevards, thinking of all that passed there and will continue to pass ,the stories of hope and human emotion, the arts, the social unrest, what more could you ask for the soul to enlarge? Harlem is a place for the soul.

Of course I wish there were more amenities--there is only one organic market and a very few good restaurants. There is nowhere to have a drink, no shopping or salons. Not the kind I would go to, at any rate. You still pass a lot of loafers referring to each other with horrible, degrading epithets. I was alone--Bernhard was not with me--one day, when I heard it. I stopped and turned around, and I said to the tall young man--he looked fairly young but it is so hard to tell--"How dare you use such words to refer to your own people? Those are words of guilt and hatred, and they will never cease to haunt you if you keep them alive. Each time you use that word is a curse on your own children." He stared at me as I were on the television. But you must say things to such people. Ignorance is the only sin and being oblivious is the greatest crime.

Sometimes I wonder if Bernhard actually hates it here. His face sometimes frightens me; I wonder whether he hates me for living here with him. What will this place be in another five years' time? What renaissances may occur, one after another, before our eyes? I look round us and see possibility. I don't know what Bernhard sees. I am just as glad that Maisie doesn't bring her children down for a visit. Harlem is a place for lone spirits, solitary souls. Maisie's life is too controlled, even her children are too controlled. She would not appreciate it here at all. I want Bernhard to be his own soul. When I was younger, in university, I loved a man who introduced me to jazz, and black American poetry, and he showed me that freedom of spirit that I craved, the transcendence of the crucible that the music and the poetry express, and I decided that I must go there someday. When I found I was going to have a baby, I knew that I must raise my child, together with myself, in that very place.



Once there was another man watching the old men playing checkers. He was tall and he had kind of a big face--I mean like normal but just bigger than lots of other men, his eyes looked like they got lost in his face. I don't know, anyway, he was wearing a green coat and a hat and his hair was kind of long and curly and he had a big messenger bag. He was watching, like me, only I was watching him. I was watching him because he seemed like he might be German. I don't know how I knew it. He looked like he knew how to play checkers. He was watching their hands move. And his head would go to one side and his eyebrows came down and then he'd smile like he made the move himself. And then he saw me watching him and he smiled, again, only really embarrassed sort of, like he had said something embarrassing by accident. He ducked his head at me, and then he walked away.

I bet we could play each other if I lived in Germany.

I wish Mother would get married again so I could run away and everyone would blame it on the evil stepfather. But she doesn't go on dates, and since she works at home, the only man she ever sees is Cosmo. He comes over a lot now--he started right before Christmas. Most of the time I don't even talk to him, I just leave them alone. They like that better anyway, it seems like. Mother used to make me play chess with him but she doesn't anymore, thank God. I just stay in my room and I think about stuff--like that guy, who I'm really sure was German.

I actually followed him one time. A different time, after the time I saw him watching the checker-players. I saw him walking down the street. I recognized his hair sticking out around his shoulders under his cap. he had sort of long woolly hair, like a girl's. I followed him to 114th Street. He went in a restaurant and then came out to sit at a table outside. He asked for coffee, I guess, because that's what the waitress brought him, in a little pot. And he looked embarrassed at her, and happy, and he just drank his coffee slowly and stirred and and kept looking over his shoulder . It was dead quiet on the street--not many people even walking around; it was a cloudy day. I got really mad. I wanted to hit him. He didn't belong in Harlem, but he kept staying in the neighborhood. It wasn't the right place, and he looked like he couldn't even speak the same language. I thought, what are you doing here? Go back where you really belong.

http://nyc.everyblock.com/restaurant-inspections/by-date/2007/12/3/632644/

to my sister

dear jane,

today T got married. it was the lowest-key wedding i've ever seen. and as for the kissing (let's be honest, that's where the marriage's hat hangs), it only happened once and they seemed utterly unready, disconcerted by the necessity and uncomfortable with the act. C was as upbeat and giddy as i have ever seen him, while T seemed dazed...no, not dazed, more like entranced, like she wasn't really seeing things at all. there wasn't any dancing at the reception.

it made me think of what will happen when you get married, how will it feel to watch you turn the key in the lock. with T and C, i felt both relieved and apprehensive. i can't help thinking that their relationship seems to lack fun--it seems so serious and intense all the time. but beyond that...they are, after all, both of them serious and intense people, so maybe they enjoy relating that way...seeing my friend get married is a strange thing. she has this one friend now whom she's known less time than she's known me, who has hurt her and made her insecure in unique, innovative ways, but whom she wants to spend all the rest of her time with.

you know how dad says that opposites ought to marry, because they balance each other out? respectfully, i disagree, at least with making that a general rule. it seems reasonable if someone's personality is heavily weighted...let us make a rule, that narcissists should marry avoidants. but most people are struggling along to fit into as many places as they can, not quite sure of where they belong. finding a second self is wonderfully balancing--it lets you know that you're not a deviant, that birds of your feather can survive.

by the way, my hair smells nice today. i went out and bought the same shampoo that on of the girls on my hall, in college, gave to me two winters ago--she worked at the body shop and got lots of free stuff she never used. i haven't worked out what the fragrance is, exactly--it's heavy on the existential crisis mixed with a lot of desperate optimism, faint suggestions of immortality, confidence and smugness, with a lingering aftertaste of impotent, nonspecific regret. it smells like amateur drama, like weekend dance parties, like unexpected conversations, like last-minute studying, like the sweet release of afternoon when class is done for the day, like desperate crushes on boys masquerading as men. let us call the scent "nostalgia."

you will marry someone smart, observant, and quiet--possibly one who could be mistaken for a nerd, if he weren't surprisingly good at some very manly thing, like basketball or carpentry. he will be subtly demonstrative of his affection for you in public. he will have dry wit for general consumption, and a silly undercurrent revealed to a select few. he will be unaggressively assertive, he will share your taste in music (i won't have much to say to him on that score, but we'll find other things to talk about), and he will remember your birthday and anniversary.

you deserve to marry someone like you.
love.

23.10.08

lullabies


It seems that everyone, at some point in their lives—usually as new parents or as English majors—realizes that lullabies have very questionable content. Babies falling out of trees, empty promises of useless wealth, desperate musing on the nature of astral motion, hopeless contemplation of a shepherd’s laziness. Generally, it is material unfit for innocent ears, that we are singing to babies in order to make them sleep.

Well, why not? (This objection from the person with less analytical training or less at stake in the child’s upbringing.) The baby cannot understand the words, it’s the constant sound of your voice that the baby enjoys, that accomplishes the purpose bent toward his rest and, in the end, good health.

Sometimes, I must admit that I wonder whether the answers to my incessant prayers are just soothing words meant to get me to sleep. Not that God doesn't answer a sincere prayer with a sincere answer. But when we are fussing, it may well be that the incredible answers we get...and I mean incredible in its most legitimate sense...are his way of lulling us to sleep.
"Hush little baby, don't say a word. Papa's gonna buy you a mockingbird. If that mockingbird don't sing, papa's gonna buy you a diamond ring..." And so on. What everybody knows is that the baby really needs sleep, not a ring or a bird.

Just the thought of one of the many alternatives listed in that song is enough to get the baby what he really needs. The lullabier is wise.

If the lullaby is effective, the baby never hears the traumatic punch line, anyway.

Half the time what we say has nothing to do with what a person needs to hear. Isn't that a relief?

I call my mom when I need to hear things spoken as a mom speaks them. She’s a reliable source of advice, as are my dad and my friend E, neither of whom are my mom. From mom, that means gentleness, practicality and determination to find what is uplifting. And when I call my dad, it is in interest of falling asleep on undemonstrative confidence, cynically wise, and paradoxical hopefulness. They both give me what I need for my health, sometimes at the expense of making sense. You may agree that sometimes making sense keeps you awake all night.

p.s.--shout-out to E, D, J, J.A., and F. Though your voices melodious be, you’re not my mom or dad, but you know? That is why I call you.

first published 7/27/07, 8.16pm

forgetting my american


Oh, god. What time is it?

Paris is so fatiguant in August. Almost not worth being here.

Hmm…but no. Too much effort to get off…this…

What was I saying?

It would be merveilleux if Pierre called. But I don’t honestly think I could meet him anywhere until it was too late for meeting. It’s awkward to meet when everybody’s already met and doing things. Then you can only really pay attention to each other and that never works.

J’espere the allowance came today. Last month le bon père was late with it and Madame Degouttard nearly a chié une brique. But c’est la vie. I’ll just stay up here and pretend il n’y a personne if she comes up the warpath.

Up the warpath? Is that the proper usage of the expression? Isn’t that lovely…I’m forgetting my American.

There’s really no other place to be, pas vrai? Despite the heat. I mean, you could lay supine on a daybed in the Hamptons or you could lay supine on the fifth floor of a nineteenth-century mansard-roofed appartement on Rue Lepic overlooking the blinding sprawl of Paris and the faubourgs. Take your choix.

I’m no idealist. The accordions do get old and so do the portraitists. I mean, I’ve been here eighteen months and they still follow me around the Sacré-Coeur offering to do my portrait. I know they see a thousand people pass by a day but still, eighteen months in this neighborhood and they still think I'm a tourist? Les connards.

I suppose it’s possible they just want to draw me for art’s sake…unlikely, because they’re mostly hacks, but even hacks in Paris love art for art’s sake.

What was I saying?

It is a little odd that Pierre hasn’t called. One might call it drôle if it were not a little annoying. I’d rather stay on this bed anyway, but at least I need feel no obligation to meet him anywhere, even if it’s only downstairs.

If it cools down, I might go downstairs anyway for a drink. I’ll feel like it. Paris is so apropos in the evening in summer. The sky is still bright but all of a sudden it’s cool out, and you know it’s about six o’clock just because the sun has realized it’s the end of the working day.

Look at that. You can’t buy that kind of feeling, anywhere—you can only get it from a fifth-floor appartement on the corner of rue Lepic and rue Tholozé. Holy Moses. It would be nice to have someone to baiser right now. I’m so full of the joy of Paris and living and dusk. I hate drinking alone when nobody’s coming.

The bartender at that place on Mouffetard was très beau. But I hate to leave Montmartre by myself.

Josh would have called that cowardly. Well…he should know.

It’s got to be close to dusk now. Shame the bells aren’t working. I wonder what would happen if I leaned out over the window? Someone would probably take my picture. Someone would point to their lover and say, oh, look at that, isn’t that picturesque, isn’t that just so French? I’m not going to do it. Leaning out a window isn’t French. French is how you do it and why, and anyone who noticed and said anything about it clearly doesn’t know the difference. A person who did know the difference wouldn’t say anything about it.

What was I saying?

I should probably take a shower, whether or not I sortir tonight. And you never know who’s going to call.

Nobody here is reliable. Even if they were before, people stop being reliable when they get to Paris. I know I’ve changed. But I don’t think that was the fault of Paris.

Paris is not a place for famille, but sometimes you want it just the same.

What was I saying? Maybe I’ll go downstairs.

first published 7/30/07, 7.36pm

love and terror


I’m thinking about asking New York City to marry me. I’ve admired it from afar for quite some time. I pretty much kept my distance, only stopping by once or twice a year to say hello, to see if there was any interest on New York’s part. It was always cordial but never showed any preference toward me…except last summer, actually. I felt like, at that time, it was unusually warm, had itself looking exceptionally good. But that was six months ago, and things have probably changed. It’s no doubt been meeting lots of other people.

Nevertheless, I’m thinking about taking the plunge. What could it hurt? I’ve been wondering so long, it would be good to have closure. Healthy, just to clear my system of the infatuation once and for all.

I confess I was always hoping that maybe New York would come around, and make the first move. It’s not like I sat by the phone or something lame. I will confess, however, that sometimes when the phone would ring, in the second or two before my hand reached the receiver, I would think, maybe this is the moment where I find out it wants me there, it’s wanted me all along but just didn’t realize it was me, until now…now everything is clear that we should be together… It never was that moment, by the way. I would never have turned New York down, not for a moment. I wouldn’t have played any games, not even on the phone. I wouldn’t have prolonged New York’s anxiety or toyed with its confessed vulnerability. I love New York partly for its well-concealed fragility. You’ve noticed it, I’m sure. Can anybody be that schmaltzy at Christmas, or appear in that many old movies, without being a romantic and an idealist deep down?

You can probably tell I’ve already made up my mind. It was made up a long time ago, the question was only when would I do it? I’ve realized I’ve got to do it quick, before I lose my nerve.

Ugh…the problem is that I’ve already lost it.

Sometimes the place where we belong is the place where we feel the least comfortable. The place of discontented comfort is dangerous, like sitting on the couch all day in front of the t.v. is dangerous.

Finding where you belong involves knowing yourself pretty well. Staying where you belong requires you to be yourself pretty consistently. Have you ever noticed how hard that is to do? What if you can’t sing on pitch? What if you’re only a mediocre athlete? What if your teeth are crooked? It takes some kind of guts to be you in the face of those odds.

Of course, with the right kind of money you can take singing lessons, hire a coach, and get orthodontics—some can fix your teeth in as little as six months, I think. I always thought I’d wait to propose to New York until after I had a solid amount of money in the bank. It’s been approached unsuccessfully by people with a lot more than I’m ever likely to have. I thought, how can I hope to succeed with less than the mean?

In truth, it seems to me that money makes everything in life easier except making people like you. Maybe because most people don’t have money, they tend to like you better if you don’t seem to have much more than they do. Your strained soprano, your lousy pitch and your smile like a poker hand, as much as they embarrass you, proportionately endear you to the other poor schmucks who only sing in the shower and smile with their lips closed.

I have nothing, and it’s going fast. I’m not getting any younger, though, so I’m going to ask New York to marry me quick. I don’t ‘expect even the dignity of a response. It probably doesn’t even remember me, or that moment we shared last summer. But I’m not going to live on that memory all my life without following it up, seeing if there might be something there. Even if I’m unsuccessful, it will be a cool story to tell—the time I proposed to New York. No way, people will say. How did you have the nerve? I don’t know, I’ll smile. I just had to take the chance…it was so beautiful, especially that summer. At least I won’t have to hear the triumphant stories of the people whose suit was successful—they’re not my crowd. It’s not that I don’t like them, even if they do have money. I like them just fine. Me and my types, we joke at their expense as they drive by in their limousines, laughing, exposing our crooked teeth.

first published 12/27/07, 1:31pm

the voyeur





Children are known for staring. I think we slap their pointing fingers down and scold their wide eyes because we are jealous. Think how we’ll slow down to gawk at a car wreck or a house on fire, knowing that our identities are screened behind tinted windows.

Or, if you’re a conscientious driver, think of reality television.

If you’re just conscientious all around, you might be boring. Consider it.

I am a conscientious driver, and I don’t watch reality television—but that’s only because I don’t believe it’s real reality. But I am a voyeur. I peep through windows. My favorite time is at dusk, but any time is fine with me.

About six years ago, when I was in Venice, I was walking a little after midday along the edge of town…that’s the great thing about Venice, you know—the edge of town is really an edge…and on the other side of me, there was a house with four windows on the upper story, all of them with shades pulled down except for the one farthest to the left. I was looking up at the Moorish design of the bricks, when at the open window, a naked man appeared. I couldn’t see him all, just from the waist up. He stood there for a moment, like a watcher at sea; I fumbled for my camera. Just as I raised it, he saw me. He jumped up, his arm extended above him, and down with him came the final shade. And that was it.

So I learned that voyeurism is better done when it is dark outside. First of all, the people in the houses are going about their business—sitting down to dinner, engaging with their televisions, transfixed by something open on their desks, talking on the phone—so they are less likely to look out their windows. Even if they do, second of all, they are the ones in full light. Like being on the stage, their own lights blind them. You, alone in the dark, are hard for them to pick out.

When I first moved to this town, just before my freshman year, I would wander through the back streets of bright-colored clapboard houses, around dusk, and I would look into the lighted windows. I didn’t lurk—not often. I don’t want to invade anyone’s privacy, and I don’t want to interrupt the scene by making them uncomfortable with the sensation that someone is watching. I saw some beautiful things. I saw brown-faced women hoisting enormous copper skillets and slopping their contents onto their family’s plates. I saw a young, beautiful couple embracing in a front doorway while a car idled beside the porch. I saw a man hammering together a bed frame in his upstairs—I sat on the curb opposite, under a white rose vine, and listened to the petulant strokes of his hammer and the Charlie Parker record he was playing.

You should know that the word voyeur means “a person who sees”, not “a person who looks.” So though we have vilified the word to indicate peeping-toms with prurient motives, there may have been a time in the golden past when seeing was just as refined a sense as tasting or hearing. If you can be a connoisseur, or a saveur , why can't I be a voyeur? The material is much cheaper and more widely available—it’s all around. If you're going to see something, why not look at it?

If you can’t enjoy, at least don’t begrudge the children.
(first published 7/6/07)

apologetics

dear friend,

i hope the playlist isn't annoying. you can turn it off. i ask only that you take a moment to appreciate the thoughtful selection and judicious editing invested in it, before you turn it off.

you see, it isn't just a collection of what i like. there is a whole pile of songs that i listen to almost every day, that i didn't include. neither is my collection limned along an aesthetic of what will strike you as stimulatingly tasteful and inoffensively sexy...for that playlist, visit a j. crew store.

...i'm not going to tell you what the tie-together is. because that wouldn't be poetry, would it?

i just wanted you to know that i took pains. there, i'll leave it at that.

also, do you like the shadow pictures on the right? those are the kind of photographs i would like to take. i'm glad somebody has that talent. you know who is freakin awesome, is alfred stieglitz.



i think he was married to georgia o'keeffe.

how do you reckon they influenced each other?






painting makes so much more sense to me as an art--a tekne, if you'll pardon me--than photography does. photography is like prophecy. look at this one:

don't tell me that shot was set up!
or this one, one of my favorites:









or even that cliched robert doisneau shot:










even studio photography, as engineered as it is, has such an out-of-control element to it. you're not just trusting the muses and their influence on you; you're involving their influence on another person, to say nothing of that person's neuroses. the realer and more commonplace your model, the less control you have, it would seem to be. working with a carefully-engineered personality, like this:














would seem a safer bet--i find characters are much more predictable than real people.

when i decided to leave new york instead of stay here forever, i started carrying my dinky digital nikon around with me. i've been seeing the wacked-est things here, every day; having forced the issue--now that the time is now--i stopped waiting for expertise and began taking pictures on instinct. you'll see them.

this may just be me--beautiful is peculiar. marilyn monroe is more beautiful than ava gardner because she looks tortured, not confident as one expects a bombshell to be. i find the lower east side more beautiful than tribeca. "minha galera" (on my playlist) is more beautiful than anything by coldplay...sorry. even salvador dali...well, not that i would want to have sex with him, but he is more beautiful than than the self-styled hedi slimane-clones that walk around soho and the meatpacking district.

(i did mention that i wouldn't want to have sex with salvador dali, right? i just want that to be perfectly clear.)

22.10.08

ask a woman who knows


tomorrow i get paid. do you know what that means? here are just a few--my check to the doctor won't bounce. my savings account won't incur a "service charge" for being empty. i can pay the friend who cut my hair a couple of weeks ago. i can save money for another haircut in another couple of weeks.

best of all, tomorrow i can go to the store and buy me some food. i can fill a shopping basket with things that i can eventually eat, mixed up together and hot, and i won't have to leave the basket inconspicuously in an aisle as i walk out the door, disguising my ignominy with an urgent stride, as if i just remembered a pressing matter requiring my immediate attention.

no. tomorrow i'm going to shop so, so slowly. i'm going to compare products that, to the consistently solvent, would seem nearly indistinguishable. i'm going to scrutinize their respective prices and protein content. i'm going to think through all the possibilities of what i could do with each of them; in the end i will have a thoughtfully coordinated spectrum of materials for the sustenance of my mind and the invigoration of my body.

maybe poets aren't impoverished by accident or unsmiling fortune. lack of familiarity breeds respect. respect is the first step to love. which reminds me--those crushes that disguise themselves as contumely? don't we know they are really a self-saving reflex of our pride, when it feels itself wildly inclined to prostrate before something as reverential as our own selves? that's why love is such a climactic occasion, why it presents such an urgent fanfare--suddenly, unexpectedly, we have found a second being worthy of our worship. who knew there could be two such, in the world? they must unite! justice and beauty demand it!

i was just talking to a friend who wanted my advice--my! advice!--about a situation. a person my friend thought of as an intellectual gascon has shown himself sympathetic, sensitive...and, in the end, sexy. naturally, it is complicated; there are secondary characters and conflicting values and, ultimately, questions of "who am i?" and "what do i want?"

i said, go slow. that's what i would do if i were in my friend's position, and if i were collected enough to do what i knew i would advise a friend to do if they were in my position. i said, don't make a "next move" simply because it would be a valuable experience, or an opportunity to grow. you can't set the value on an experience ahead of time. unless you know exactly the kind of self you want to achieve--which i, for my part, don't, and doubt that my friend would claim to--growing is largely organic.

you can't help but become yourself, more and more, unless you make a forceful move to become something quite other, like a gardener training an apple tree into an espalier. i think it's a good idea, and vastly interesting, to let the self make its own forays into experience, to let it take the ego by surprise with its sudden decisions. i told my friend that there may soon come a night when they sit together under the moon, and suddenly she finds herself saying things quite true and quite out of character. it will surprise her, i said, it will scare her, it will heighten the romance as much in that moment as it will in memory. she won't have to doubt that she did the right thing, because right or wrong, it will have been done for her.

it's all very romantic and real. i've had it happen. the affair unraveled, but the romance of it is surprisingly steadfast.

if you always know exactly what you're doing, you're doing something wrong. sorry. you're not that smart; nobody is.
don't decide right away.
anything worth doing is worth doing slowly. (mae west said that.)
try dancing with your eyes closed. (i said that.)





Introduction


dear friend, 

who are you?

isn't it funny to think of how close we might be, as i write this to you?

you could be that person in the corner of the library with a stack of books you are assiduously avoiding.
you could be leaving our favorite cafe just as I enter it.
you could be that person on the train keeping time to the song in your headphones with kicks against my ankle.
i could be that person who keeps blowing their nose too loudly, that person whose bag-strap breaks on the way out the door, that person who falls asleep and begins to snore when you are trying to read. 

where are we today?
we could be in New York, or in Los Angeles--which one do you hate more?
with just a small tip of the pay scale, we could be in Hoboken, or Sausalito.
we could be in Natchez, Mississippi or in Sioux, South Dakota.
we could be in Amsterdam--that's my vote...or in Venice, or Strasbourg, or Budapest.
we could be in Khartoum. i haven't been there yet. have you?
we could be in Quebec, Quebec.  i have family there, and i owe them a visit.

when i was younger, and my brother was practically still a baby, we used to say that when we grew up we were going to be pirates together and hunt for treasure around the world on a ship.  i still have a small hope for that plan to work out.  i haven't spent much time on the ocean--i do mean on it;  i've spent a fair amount of time in it--but i'm familiar with the phenomenon of sailors who can't stay on land for very long at a time.  it drove me crazy to come to the end of the Odyssey and find that odysseus was ready to go again, so soon after his war-like homecoming, so close to the end of the book.  i was waiting for the secret of staying put to be revealed.  i was hoping it would be demonstrated that his love for penelope would make everyday life the greatest adventure of all...  (swelling music and rosy sunsets to accompany)

yeah, that was a wash, in life as well as in epic.  i don't mean that as a judgment on love generally, nor on everyday life generally--just on my particular passes at them.  

i'm different, and so are you.  aren't we?  at any rate, we're not altogether the same as anybody else we know.  sometimes it's hard to be what i really am, even when i'm only looking in the mirror.  but we can be real with each other.  

here's to it.  

i'm bird.
who are you?